Diana Senechal is the 2011 winner of the Hiett Prize in the Humanities and the author of More and Less than a Friend: The Songwriting Partnership of Tamás Cseh and Géza Bereményi in Hungary (Serving House Books, 2026), Solo Concert (Serving House Books, 2025), Mind over Memes: Passive Listening, Toxic Talk, and Other Modern Language Follies (2018), and Republic of Noise: The Loss of Solitude in Schools and Culture (2011), as well as numerous stories, poems, essays, songs, and translations. From 2011 to 2016 she taught, advised, and led the philosophy program at Columbia Secondary School; as of November 2017, she has been teaching English and civilization at the Varga Katalin Gimnázium in Szolnok, Hungary. In 2022, in collaboration with the Verseghy Ferenc Könyvtár (a public library in Szolnok), she founded a Shakespeare Festival, hosted annually by the Varga Katalin Gimnázium, the Verseghy Ferenc Könyvtár, and the Szigligeti Színház, Szolnok's main theater. Her translations of the Lithuanian poet Tomas Venclova are featured in Winter Dialogue (Northwestern University Press, 1997), The Junction (Bloodaxe, 2008), and The Grove of the Eumenides (Bloodaxe, 2025); her translation of Gyula Jenei's poetry collection Always Different: Poems of Memory was published by Deep Vellum in April 2022. She has served on the ALSCW Council since 2013 and was its president from October 15, 2023, to October 20, 2024. She holds a BA, MA, and PhD in Russian literature (Slavic Languages and Literatures) from Yale University.
 

Diana Senechal is the author of four books as well as numerous articles, stories, poems, songs, and translations. Republic of Noise: The Loss of Solitude in Schools and Culture (Rowman & Littlefield Education, 2011) examines the importance of solitude and our culture's disregard for it; Mind over Memes: Passive Listening, Toxic Talk, and Other Modern Language Follies (Rowman & Littlefield, 2018) examines words and phrases that have been overused or misused in contemporary life. Her debut poetry collection, Solo Concert, was published by Serving House Books in January 2025; More and Less than a Friend: The Songwriting Partnership of Tamás Cseh and Géza Bereményi in Hungary was published by Serving House Books in 2026.
 

Senechal teaches English, American civilization, and British civilization at the Varga Katalin Gimnázium in Szolnok, Hungary. From 2011 to 2016, she taught philosophy, created philosophy courses, led philosophy roundtables, and served as philosophy coordinator at Columbia Secondary School. In February 2014, her students released a philosophy journal, CONTRARIWISE, which which now enjoys international readership and participation. In May 2017, through a collaboration and correspondence that grew out of CONTRARIWISE, Senechal taught for two weeks at the Sainte Pulchérie Fransız Lisesi in Istanbul. In March 2020, in Hungary, she founded the online student literary journal Folyosó, whose first issue appeared on May 11, 2020. In 2022, in collaboration with the Verseghy Ferenc Könyvtár (a public library in Szolnok), she founded a Shakespeare Festival, which has nationwide participation and is hosted annually by the Varga Katalin Gimnázium, the Verseghy Ferenc Könyvtár, and the Szigligeti Színház, Szolnok's main theater.
 

In her first year of public school teaching, at I.S. 223 in Brooklyn, she directed her students, all English language learners, in a production of The Wizard of Oz, which Michael Winerip describes in "Courage? Follow the Yellow Brick Road" (New York Times, June 14, 2006). She continued to teach ESL for three more years before leaving her position to write Republic of Noise. After finishing the book in 2011, she joined the faculty of Columbia Secondary School for Math, Science & Engineering.
 

Senechal is the 2011 winner of the Hiett Prize in the Humanities, awarded by the Dallas Institute of Humanities and Culture. From 2011 to 2019 she served on the faculty of the Dallas Institute's Sue Rose Summer Institute for Teachers. She holds a BA, MA, and PhD in Russian literature (Slavic Languages and Literatures) from Yale University, with a dissertation on Nikolai Gogol. Her translations of the Lithuanian poetry of Tomas Venclova have appeared in two books, Winter Dialogue (1997) and The Junction (2008). She read her translations at PEN America's "Writers in Exile" event in 1988 and at the International Czesław Miłosz Festival in 1998. Her translations from Hungarian—of the poet Gyula Jenei, the essayist Marianna Fekete, and the story writer, blogger, and journalist Zsolt Bajnai—have been published in Literary Matters (Issues 11:3 and 12:1), The Satirist, and The Massachusetts Review. A book of her translations of Jenei's poems, Always Different: Poems of Memory, was published by Deep Vellum in April 2022. She contributed fourteen translations to Sándor Jászberényi's story collection Everybody Grieves Differently (Cosmopolit, 2025).
 

Her education writing has appeared in Room for Debate (New York Times), Education Week, The New Republic, Double X, American Educator, Educational Leadership, The Nation, and various education blogs. Her article about education philosopher Michael John Demiashkevich was published in American Educational History Journal, vol. 37, no. 1 (2010), and was selected as AEHJ's Article of the Year.
 

Senechal has spoken on numerous radio programs and at venues around the U.S. In 2012, she delivered the principal address at the Annual Meeting of the National Association of Schools of Music; in 2013, she was a keynote speaker and panelist at the Annual Meeting of the National Association of Schools of Art and Design; and in 2014, she gave the keynote address at the Annual Meeting of the National Association of Schools of Dance. In April 2014, she took part in a discussion of solitude on BBC World Service's program The Forum. In April 2016 she gave a talk, "Take Away the Takeaway (Including This One)," at TEDx Upper West Side.
 

Since 2013 she has served on the council of the ALSCW (Association of Literary Scholars, Critics, and Writers), where she organizes and participates in events, contributes to the ALSCW's publications Literary Matters, Literary Imagination, and FORUM, and helps plan the annual conference. On March 20, 2022, she and the ALSCW hosted the online event Straight Labyrinth: János Pilinszky in the Poetry, Music, and Thought of Three Hungarian Artists. In the fall of 2022, she and a Hungarian group traveled to the U.S. to take part in the conference at Yale; six of the Hungarians, as well as twelve scholars, musicians, and composers from the U.S., took part in her double-session seminar on "Setting Poetry to Music." From October 15, 2023, to October 20, 2024, she served as the ALSCW's president. At the 2024 ALSCW Conference at the Catholic University of America in Washington, D.C., the Platon Karataev Duo from Hungary performed on the opening night, and Gergely Balla and Csenger Kertai from Hungary presented, along with many others, in the double-session seminar "Vision and Resonance," which Senechal co-moderated with Martha Hollander.
 

Her interests have allowed her to pursue a rich variety of occupations. Born in Tucson, she returned there years later for a brief stint; she has also lived in Massachusetts (western and eastern), New Haven, San Francisco, and New York, as well as several countries outside the U.S. In San Francisco, she worked as an editor, counselor, and computer programmer; in her own time she played music and took courses in animation, screenwriting, and film acting. She has written songs, played cello on others' recordings (in particular, Though the Light Seem Small" by Art of Flying), self-released two CDs, and contributed lyrics to the Breeders' song "Head to Toe." (You can read the story about it here.) Her most recent song, "Blunders," was engineered, mixed, and mastered by Cz.K. Sebő (Sebestyén Czakó-Kuraly).
 

In Tucson and New York City, before teaching, she worked as an editor and took classes in acting and improvisational theater. She founded a literary journal, Sí Señor, which she edited and ran for five years.
 

She has studied cantillation (leyning) on her own (with the help of several tutors) and at the Jewish Theological Seminary. From December 2017 to December 2023 she served as the lay chazzan (cantor) of Szim Salom in Budapest.
 

In addition to the above, she plays cello, takes long bike rides through the Hungarian countryside, and enjoys memorizing poetry in various languages.